Domus Aurea, Golden House Of N :: essays research papers fc

The Domus Aurea, Golden House of NeroIn AD 64, Nero set fire to the city of Rome. The exact reasons he did it argon not fully known. It is thought that he partly did for poetic or artistic purposes, or for the purpose of clearing away a city that had before long dissatisfied him. In its place however he did rebuild a better Rome, for the most part that is. A spacious portion, and arguably too large of a portion, was expropriated for the use of his own residence to be called the Domus Aurea. This is translated The Golden House, and so, the residence is called The Golden House of Nero. While the Domus Aurea had rather unjustified reasoning behind it, it is integrity of the greatest architectural achievements of the ancient world. Neros residence before his Golden House, was the Domus Transitoria. This was by now means any small living space. It was considered to be a mansion in itself. This palace linked to the Imperial Gardens of Maecenas on the Esquiline hill. It also spanned up the Velian slope beside the Forum (Grant 164). However this structure was not destroyed in the fire of 64. However it did clear out a valley behind it making room for Neros future house. Promptly after the fire aspect was begun on Neros Golden House. It would continue until AD 68 (Wheeler 142). In fact the Domus Transitoria would soon become part of the new Domus Aurea.The architects of this great project were more than engineers than they were architects. Their names were Severus and Celer (Picard 116). They were more like Italian bosses heading up a team of technicians who came to Rome in hordes due to their recent fire. However, these engineers main goal was to use up the estate look bigger and be bigger without actually expanding. They accomplished by working on it from the inside out, utilizing paintings on walls that gave the impression of going on for infinity.It is an under statement to refer to these buildings as houses at all though. They were clearly much more than thi s, in even their smallest proportions. The Domus Aurea itself was a series of buildings and landscapes designed to blow over the impression of a vast park in a relatively small area for such a thing (Picard 116). The idea behind this was that you would compose something more beautiful for the beholder if your creation was beautiful for how you used the earth.